9CaKrnQhZyw art.huanqiu.comgallery追自然和生命的原真——工笔花鸟画创作与欣赏/e3pokdnam/e3pokdnrj1595474820000责编:李晓丹新华网159547482000011[]{"audio":{"members":[]},"gallery":{"members":[{"desc":"工笔花鸟画所表现的禽鸟争鸣、百卉争艳、栩栩如生的绘画场景,必须有细致入微的塑造能力。其丰富的色彩、幽逸的境界需要相应的表现形式以及一整套制作程序。用勾勒、勾填的表现形式中,工笔画中多采用矿物质重彩颜色,这在唐、五代最为盛行。至元代以后受水墨画风的影响,工笔花鸟画色彩的运用渐趋清雅淡逸,作品以墨色为主、色彩兼之的表现形式流行开来,更有以墨色代替色彩的趋势。这就形成了以水墨为主的墨禽、墨花表现形式。","height":435,"id":"edbe0661950e6a6647212ae348d9ff0d","mime":"image\/jpeg","size":229,"url":"\/\/himg2.huanqiucdn.cn\/attachment2010\/2020\/0723\/11\/27\/20200723112751205.jpg","width":550},{"desc":"在工笔花鸟画的表现技法中赋色是一个重要的方面。\r\r 具体方法:以色笔赋色、用水笔渲染是中国工笔花鸟画的基本手法。无论是淡彩还是重彩,都要用这种方法来塑造形象。\r\r 一般来讲,染色的基本步骤先用不同的浓淡墨勾好稿子,然后进行染色。先染叶子再染花朵,先染正面后染反面,最后画树干。由深到浅,抓住主要的物象和主要的色彩进而把握住整个画面的色调。","height":410,"id":"a4086a08a556729823dd83dccb1fe5fe","mime":"image\/jpeg","size":243,"url":"\/\/himg2.huanqiucdn.cn\/attachment2010\/2020\/0723\/11\/27\/20200723112751212.jpg","width":550},{"desc":"","height":1057,"id":"3f92e66cade233a6bd126409174b6949","mime":"image\/jpeg","size":514,"url":"\/\/himg2.huanqiucdn.cn\/attachment2010\/2020\/0723\/11\/27\/20200723112752895.jpg","width":550}]},"video":{"members":[]}}